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The Eccentric Crown: A Journey Through the Strange and Forgotten Corners of British History 55 / 101
Chapter 15: The Georgian Era and the Fashion for Living Hermits (Part 2)

sublime gloom. To remedy this, they began to construct "follies." These were buildings designed purely for decoration and emotional impact rather than practical use. A landowner might build a fake castle tower, a rustic cottage, or a dark, dripping cavern lined with minerals and fossils. Yet, as these beautiful stone structures settled into the landscape, some landowners felt a lingering sense of emptiness. A ruin was romantic, certainly, but it was also static. It lacked life. To truly evoke the spirit of ancient wisdom, poetic solitude, and philosophical melancholy, the garden needed a human element. It needed someone who could embody the quiet contemplation that the busy, gossiping Georgian upper classes so desperately craved but rarely practiced. Thus, the concept of the ornamental hermit was born. The Ultimate Job Description: Help Wanted, Must Be Extremely Unkempt The transition from building empty hermitages to hiring real people to occupy them happened gradually, but once the trend caught on, it spread through high society like wildfire. If you were an aristocrat looking to outshine your neighbors, a simple stone grotto would no longer suffice. You needed to secure a living hermit to inhabit it. The role of the ornamental hermit was a highly theatrical performance, governed by strict contracts and bizarre expectations. These were not holy men seeking spiritual salvation in the wilderness, but rather working-class men hired to play a very specific, highly visible role. The job advertisements of the era reveal a standard of employment that would make a modern human resources department weep. A typical advertisement, such as one placed by a gentleman in Lancashire, outlined the duties and expectations with remarkable clarity. The successful candidate was required to live in a specially constructed hermitage on the estate for a period of seven years. During this time, he was forbidden from leaving the grounds, speaking to any of the servants, or stepping beyond the boundaries of his designated wooded area. To maintain the illusion of ancient, rustic wisdom, the hermit had to adhere to strict grooming guidelines. He was not permitted to cut his hair, shave his beard, or trim his fingernails or toenails for the entire duration of his seven-year contract. His wardrobe was provided by the landowner and usually consisted of a coarse, heavy robe made of camel hair or dark wool, designed to look like the habits worn by medieval monks. In terms of equipment, the hermit's cave was stocked with a carefully curated selection of props. He was provided with a rustic wooden staff, a hourglass to measure the passage of time, a simple wooden bowl for water, a Bible, and perhaps a skull to rest upon his desk as a constant reminder of mortality. He was expected to sit at his rustic wooden table, illuminated by a single candle, looking deeply absorbed in classical literature or prayer whenever the landowner's guests wandered past. The compensation for this bizarre lifestyle was often surprisingly generous. Many contracts promised a substantial lump sum at the end of the seven years, sometimes as much as seven hundred pounds, which was a small fortune in the eighteenth century. This sum was enough to buy a comfortable cottage and live in ease for the rest of one's life. The landowner also provided a daily supply of simple food and drink, which was usually delivered secretly by a servant and left at the edge of the hermit's clearing to preserve the illusion of absolute isolation. However, as many aspiring hermits soon discovered, the reality of living in a damp, unheated stone grotto through the British winter, with only a skull and

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